I edited video and organized post production for this promotional partnership between Universal Pictures and WildAid. We produced several videos in advance of the Jurassic World 2 launch in June.
I edited this short film about Vietnamese actor Phan Anh's visit to Kenya. Phan Anh visited national parks and rhino conservancies around Kenya to learn about the illegal rhino horn trade. The film, Những Kẻ Sống Sót, aired nationwide on VTV in April.
In the spring of 2017, armed men burned several lodges at conservation ranches in Laikipia County, Kenya. The men were pastoralists from Northern Kenya. Some 10,000 traditional pastoralists drove over 100,000 head of cattle into private conservancies seeking grass for their animals. Grazing lands in Northern Kenya were severely stressed due to over-grazing and an extended drought.
For Steve Ekwanga, a lion researcher with the Laikipia Predator Project, these invasions are just another challenge. Steve explains that lions and humans in Kenya are in constant conflict. Shivani Bhalla, the founder of Ewaso Lions, describes her work in Samburu County to mitigate this conflict. Samburu pastoralist Namasi Namantil describes the frustration of raising livestock near lion populations.
I produced this video with Nani Walker in March, 2017.
Today, I visited the village of Naviavia in Fiji. It’s a relatively unremarkable little village, not unlike most others on the island of Vanua Levu. But, when the island nation of Kiribati purchased 20 square kilometers of land across the river, the village was plucked from obscurity, and placed right at the center of an international controversy.
Kiribati is a nation in the Pacific, composed of 33 islands, mainly coral atolls just a few feet above sea level. Anote Tong, the president of Kiribati at that time, said that the land was purchased for the purpose of possibly relocating the entire population of Kiribati due to the effects of rising sea levels.
This land purchase made big headlines around the world, but I’ve never seen a particularly good photo of the land. I was curious to see what it was like, and I figured the people of Kiribati are curious as well.
According to the local Anglican pastor in Naviavia, the government of Kiribati has given farmers from the village permission to farm some of the land. They’re currently cultivating taro and coconut. One farmer from a nearby village who accompanied me to the land said that the soil was very rich, and didn’t require fertilizer.
“What can you grow on this kind of land?” I asked him.
“Everything!” he said emphatically.
So the land is certainly not worthless, but could it be used to relocate the entire population of Kiribati?
There are about 100,000 people living in Kiribati. The 20 square kilometers of land near Naviavia could theoretically hold that many people, but transforming the undeveloped mountain terrain into homes for that many people would be a monumental task.
To put things in perspective, the population of Vanua Levu, the Fijian island where the land is located, has a population only slightly higher than that of Kiribati at about 135,000. If the entire population of Kiribati moved to the land near Naviavia they would undoubtedly overwhelm the local infrastructure.
With a great deal of development, a few thousand people could probably live on the land and cultivate crops. Perhaps the land could even function as the seat of the Kiribati government in absentia, when and if the islands do become uninhabitable do to sea level rise.
For many years, the Anglican Church owned the land, and the village of Naviavia, a small community of ethnic Solomon Islanders were allowed to live and farm on the land. After the land was purchased, the village of Naviavia was restricted to a small plot of 125 hectares.
Many in Kiribati believed that they would need to displace the people of Naviavia in order to make use of the land, but it appears as though the government of Kiribati is willing to work with this community. Indeed, their local farming knowledge will likely be extremely helpful in cultivating the land.
The real challenge may be in acclimating a few thousand citizens of Kiribati to the environment near Naviavia. This is mountainous terrain many miles from the ocean. The foliage is thick and treacherous. I slipped and fell on wet grass numerous times while traipsing through the bush.
Tempting a few thousand I-Kiribati to move to this mountainous terrain to live a completely new lifestyle may prove difficult.
Burglary, vagrancy and grand larceny are the charges listed under photos of alleged Vallejo criminals. With defiant eyes and grim expressions, they look like rough characters. But, these aren’t wanted posters hanging in the post office. These are art pieces displayed at The Works, a screen printing studio in historic downtown Vallejo.
Thomas Wojak owns this screen printing business, which was priced out of San Francisco in 2002. But when Wojak went looking for a new city to set-up shop, Vallejo certainly wasn’t at the top of his list.
“I had driven by Vallejo for thirty years. I just thought of it as a rough, crime-ridden place,” said Wojak.
But a visit to Vallejo revealed ample opportunities to Wojak, and a live/work ordinance passed by the city in 2001 meant that Wojak could save even more by combining home and studio.
Wojak’s prints featuring mug shots taken in Vallejo from 1909 to 1930, encourage viewers to reconsider their perceptions of the city, just like he did fourteen years ago. But he’s not the only one who’s reconsidering Vallejo.
Ask any of the many artists in downtown Vallejo how they ended up there, and most of them will tell you a story about being priced out of San Francisco or Oakland. With some 28 art spaces in Vallejo the art scene is beginning to bloom, but it might not last. The real estate market in Vallejo is one of the hottest in the nation, and artists are already feeling the squeeze.
Half a mile from downtown Vallejo, just across the Napa River, the economic engine of old Vallejo sits abandoned. For over 100 years, workers at the Mare Island shipyards built ships and submarines for the U.S. naval fleet. In 1996 the naval base was de-commissioned and the builders were out of work.
The closure of the Mare Island shipyards was not the only disruptive event to the traditional blue-collar economy in Vallejo, but in the minds of residents, it may be the most symbolic.
“Mare Island is a part of the collective unconscious of Vallejo. People just keep praying and hoping the industry will come back," said Vallejo-based sculptor Mark Treuenfels.
Truenfels was one of the first artists to find his way to Vallejo. He moved there in 2000 after returning from a stint with the Peace Corps in Jamaica. He bought a foreclosed mobile home and started working on a series of clay busts based on the likenesses of his Jamaican friends.
One Saturday morning in October, Truenfels threaded his way through the thick crowds at the weekly farmer’s market downtown.
“You’ll get the wrong idea being out here today,” said Truenfels. “Six out of seven days a week this street is deserted.”
Truenfels made his way to The Hub a downtown gallery and art cooperative. He had been asked to come in and collect his Jamaican busts. They had been on display for a year without a single sale. Truenfels was disappointed, but not surprised.
“The art scene in Vallejo is anemic,” said Truenfels. “There just aren’t any buyers here.”
Truenfels sells most of his work out of town, and he’s not as enthusiastic as Wojak about the burgeoning art scene in Vallejo. After living in the city for sixteen years, Truenfels thinks it’s time to move on. Truenfels says his mobile home is worth five or six times what he paid for it, and he thinks it’s time to cash in.
Lisa Gueron thinks Truenfels is right. Gueron, a Solano County realtor says that the housing market in Vallejo is booming.
“Vallejo is just on fire!” said Gueron. “I’ve seen houses go on the market and sell the next day with multiple offers.”
Gueron’s experience indicates how far Vallejo has come in a very short time. Vallejo was hit hard by the Great Recession, going so far as to declare bankruptcy in 2008. According to U.S. Census Bureau data, 8.7 percent of the houses in Vallejo were vacant in 2010. But these days, Gueron says that Vallejo has a housing supply shortage.
Thanks to high demand and short supply, in the summer of 2016, Vallejo was listed as the “hottest” market in the country by the National Association of Realtors.
So, what’s behind this demand?
It’s a common notion that the arrival of artists in low-income areas is the first sign of gentrification. Some argue that artists initiate the process by making run down neighborhoods more appealing. Thomas Wojak certainly doesn’t mind taking credit for the real estate boom in Vallejo.
“We don’t affect the economics much, but we do change perceptions, and over the years, we’ve really changed the perception of Vallejo,” said Wojak.
Guerin admits that there may be something to that idea, but she doesn’t spend too much time thinking about the arts when she’s making a sale. Guerin focuses on the price point.
“People from San Francisco don’t mind paying over asking when they can buy a charming Tudor style home with a 10,000-foot lot for $350,000,” said Guerin.
With established artists like Wojak spreading the word about the vibrant arts and culture scene in Vallejo, and realtors like Guerin promoting the booming housing market, some fledgling artists are starting to worry about their place in town.
Edgar-Arturo Camacho-Gonzalez grew up in Mexico, but Vallejo has been his home for about 10 years. He started El Comalito Collective with his husband in January of this year.
The mission of El Comalito is to exhibit the work of artists from marginalized communities. The front room of the small space on Georgia Street is filled with Dia De Los Muertos paraphernalia. At the back of the store is a gallery space.
Camacho-Gonzalez is emblematic of not just the art scene in Vallejo, but of the changing population as well. In 1990, half of Vallejo residents were white, according to US Census Bureau data. But by 2010, the population was one of the most diverse in the nation, approximately 32percent white, 22 percent black, 24 percent Asian, and 22 percent Hispanic. Only Oakland could claim to be more diverse.
Diversity was one of the main reasons that Camacho-Gonzalez decided to open El Comalito Collective in Vallejo. There were marginalized artists in the community who needed a place to exhibit.
Camacho-Gonzalez said their first year was quite successful, but as the gallery approaches its one-year anniversary, he still worries about the future.
“Gentrification is real, and it’s a worry,” said Camacho-Gonzalez.
El Comalito Collective has not been able to secure a long-term lease, and Camacho-Gonzalez has heard that rents are rising throughout Vallejo. He invested a lot of money into altering the storefront, so he’s a little worried about the possibility of losing the space.
Camacho-Gonzalez is not alone. According to Gretchen Zimmermann, who organizes an annual arts festival called Vallejo Open Studios, gentrification is a big concern among Vallejo artists.
Zimmermann said that the best solution for Vallejo artists would be to actually buy commercial space, which is unlikely as most of the artists are just scraping by now. She said that local artists were trying out some new ideas, like legally incorporating their cooperatives, but she laughingly admitted that artists often find it difficult to cooperate and organize.
“We need to start talking about rent control now, not after everybody’s kicked out,” said Zimmerman.
Some 5000 mourners gathered for a vigil at Lake Merritt on Monday to remember victims of Oakland's "Ghost Ship" fire, which claimed 36 lives on the night of December 2nd. It was the deadliest fire in California in over 100 years. Read more...
Cannabis farm in Humboldt County CA.